Bach Bibliography
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1. Abadie, Daniel; Georget, MaryvonneHartung et la musique. Royan: Centre d'Arts Plastiques, 1993. 72p. (= Catalogues du Centre d'Arts Plastiques) 1993 72p
2. Abdy Williams, Charles FrancisBach. With Illustration and Portraits. - London: J. M. Dent; N.Y.: E. P. Dutton, 1900. xi, 223p. 2/1903, 3/1906, 4/1921. (= The Master Musicians. ed. by Frederick J. Crowest) - Newly revised and edited by Eric Blom, 1934. xiii, 239p. (= The Master Musicians. New Series) 1900 xi, 223p
3. Abdy Williams, Charles FrancisReminiscences of a Pilgrimage through the Bach Country. Musician 17 9 Sep 1912 590-591
4. Abdy Williams, Charles FrancisThe Rhythmical Construction of Bach's 'Forty-Eight' Fugues. ProceedRMA 19 1892-93 73-93
5. Abe, Kin'yaBach no Miryoku no Himitsu. [The secret of Bach's attractiveness] BachZenshu 15 Jul 1999 150-156
6. Abravaya, IdoA French overture revisited: another look at the two versions of BWV 831. EarlyM 25 1 Feb 1997 47-58, 60-61
7. Abravaya, IdoBach's tempo practices: tempo changes. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 [p]BICB_Manchester Jul 2004
8. Abravaya, IdoBach's tempo practices, the tempo theories of his time -- and ours. OrbisMusicae 13 2003 81-90
9. Abravaya, IdoJ.S. Bach's wedding quodlibet, BWV 524. MinAd 13 2016 51-61
10. Abravaya, IdoOn Bach's Rhythm and Tempo. Kassel [u.a.]: Bärenreiter, 2006. 232p. ISBN: 13: 978-3-7618-1602-8; ISBN: 10: 3-7618-1602-2. (= Bochumer Arbeiten zur Musikwissenschaft, 4) BochumArbMw 4 2006 232p
11. Abravaya, IdoStudies of Rhythm and Tempo in the Music of J. S. Bach. PhD diss., Musicology, Tel Aviv University, 2000. xv, 318 p diss. 2000 xv, 318p
12. Abravaya, IdoThe Baroque upbeat: outline of its typology and evolution. IrishMStud 8 2004 17-28
13. Abrányi KornélTárca. Egy khorál hatalma. [történet a Bach - családról; Folyt. követ.] ZeneszetiLapok 8 32 10 May 1868 507-509
14. Abrányi KornélTárca. Egy khorál hatalma (Folytatás). [történet a Bach - családról; Vége követ.] ZeneszetiLapok 8 33 17 May 1868 523-525
15. Abrányi KornélTárca. Egy khorál hatalma (Vége). [történet a Bach - családról] ZeneszetiLapok 8 34 24 May 1868 537-540
16. Abyzova, Elena NikolaevnaNekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. [Einige Probleme der thematischen Struktur und Form in den Violinkonzerten J. S. Bachs.] VoprosyTM 3 1975 237-271
17. A Country AmateurJ. S. Bach, Graun, etc., etc. Original correspondence. (To the editor of the Musical World). [Inquiry towards the purchase of scores (Ide, Devon. 3rd July 1848)] MWorld 23 28 8 Jul 1848 442
18. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
19. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
20. Adiloglu, Kamil; Noll, Thomas; Obermayer, KlausA Paradigmatic Approach to Extract the Melodic Structure of a Musical Piece. JNewMResearch 35 3 Sep 2006 221-236
21. Adley, MorrisJ.S. Bach no Orugan Ongaku. Tokubetsu Koen Yoshi. / The Organ Music of J. S. Bach. Lectures. OruganKenkyu 4 1976 42-46
22. Agario, ShinyaGakushi no Jidai. Chusei Doitsu no 'Ongakuka' to iu Shokugyo. [The days of concert master: the vocation of a 'musician' in the middle age Germany] BachZenshu 13 Jul 1997 140-157
23. Agay, DenesAuthentic Baroque Performance. Clavier 24 4 Apr 1985 18-20
24. Agmon, EytanBeethoven's op. 81a and the psychology of loss. [BWV 992] MTtheoryOnline 2 4 1996
25. Ahn, So-YiFelix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. DMA diss., Arizona State University, 2004. 51p. diss. 2004 51p
26. Ainsley, R.The New Face of Bach. ClassicCD 39 1993 20-22
27. Ainsley, R.What's Best for Bach? ClassicCD 35 1993 39-41
28. Akada, Kin'yaBCJ to Kobe Water. [BCJ and Kobe Water.] [Soritsu Kinen Bunshu / Anniversary Issue Essays] BCJ 43 Jul 2000 40-41
29. Akioka, YoJohann Sebastian Bach Sakkyoku 'Matai Junankyoku'. ['St Matthew Passion' composed by Johann Sebastian Bach] FerrisStud 1 Nov 2003 18-41
30. Akioka, YoJohann Sebastian Bach Sakkyoku 'Yohane Junankyoku'. ['St John Passion' composed by Johann Sebastian Bach] FerrisStud 1 Nov 2003 2-17
31. Akioka, YoJ. S. Bach 7-Ban Shobu. Bach vs. Scarlatti. [J. S. Bach 7 matches. Bach vs. Scarlatti] [ce]Daremoiwanakatta 2000 166-179
32. Akioka, Yo; Torii, MinaBach: Kantata 147 Ban (BWV 147) [Bach: Cantata no.147 (BWV 147)] FerrisStud 1 Nov 2003 50-53
33. Akiyama, MotooBach Zuiso. [Essays on Bach] Tokyo: Bungei sha, 2004. 273p. ISBN: 4-8355-7635-7. 2004 273p
34. Albrecht, Timothy E.Musical Rhetoric in J.S. Bach's Organ Toccata BWV 565. OrganYb 11 1980 84-94
35. Albrecht, Timothy EdwardMusical Rhetoric in Selected Organ Works of Johann Sebastian Bach DMA diss., Eastman School of the Univ. of Rochester 1978. v, 211p diss. 1978 v, 211p
36. Albus, Harry JamesThe Music maker. The life of Johann Sebastian Bach in story form. Grand Rapids (Mich.): Eerdmans, 1950, 93p. 1950 93p
37. Alewyn, RichardJohann Beer. Studien zum Roman des 17. Jahrhunderts. Leipzig: Mayer & Muller, 1932. ix, 274p. (= Palaestra, 181) 1932 ix, 274p
38. Alfaya, JavierPrismas: Bach y el cine. Scherzo(Spain) 211 Sep 2006
39. Alfeyev, HilarionOn music and faith. SacredM 138 1 Spring 2011 32-42
40. Allanbrook, Wye J.The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. ContextBachStud 8 2018 153-164
41. Allanbrook, Wye J. (ed.)The Sleep of Sin: A Note on an Aria from Bach's St. Matthew Passion. [fs]Bart 1993 16-23
42. Allanbrook, Wye J.; Levy, Janet M.; Mahrt, William P. (eds.)Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. NY, Stuyvesant: Pendragon Press, 1992. xxi, 548p. ISBN: 0-945193-28-9. (= Festschrift series, 10) FestschriftSer 10 1992 xxi, 548p [fs]Ratner
43. Allred, Brady RussellMozart’s Grand mass in C minor: historical perspective, analysis, and performance. DMA diss., University of Rochester, 1990. 128 leaves. diss. 1990 128 leaves
44. Altenburg, Detlef; Bayreuther, Rainer (eds.)Musik und kulturelle Identität. Bd. 2: Symposien B. [Bericht über den XIII. Internationalen Kongress der Gesellschaft für Musikforschung, Weimar 2004] / hrsg. von Detlef Altenburg und Rainer Bayreuther. - Kassel [u.a.]: Bärenreiter, 2012. xi, 779p. [cr]Weimar2004 2 2012 xi, 779p
45. Altenburg, Detlef; Bayreuther, Rainer (eds.)Musik und kulturelle Identität. Bd. 3: Freie Referate und Forschungsberichte. [Bericht über den XIII. Internationalen Kongress der Gesellschaft für Musikforschung, Weimar 2004] / hrsg. von Detlef Altenburg und Rainer Bayreuther. - Kassel [u.a.]: Bärenreiter, 2012. xiii, 864p [cr]Weimar2004 3 2012 xiii, 864p
46. Ameln, Konrad; Jenny, Markus; Lipphardt, Walther (eds.)Das deutsche Kirchenlied: DKL; kritische Gesamtausgabe der Melodien. Band 1 [= Abteilung I], Teil 1: Verzeichnis der Drucke von den Anfängen bis 1800. (= RISM B/VIII/1) Hrsg. Konrad Ameln, Markus Jenny und Walther Lipphardt. - Kassel [u.a.]: Bärenreiter, 1975. 61, 745p. ISBN: 3-7618-0490-3 (= Répertoire international des sources musicales / publ. par la Soc. Internat. de Musicologie et l'Assoc. Internat. des Bibliothčques Musicales B, [Systematische Reihe], 8, 1) DKL 1 1 1975 61, 745p
47. Anderson, Cynthia R.; Tunks, Thomas W.The influence of expectancy on harmonic perception. PsychoMcol 11 1 1992 3-14
48. [anon.; Mendelssohn Baltholdy, Felix] (eds.)John Sebastian Bach's GRAND STUDIES for the ORGAN, with PEDAL OBLIGATO, consisting of Preludes, Fugues, Toccatas, and Fantasias. A PART FOR THE DOUBLE BASS or VIOLONCELLO, IS PRINTED SEPARATELY, Price 7/-. These Studies may be played on the Piano Forte by one or two performers. EACH PRELUDE & FUGUE MAY BE HAD SEPARATELY AT PRICES VARYING FROM 1/- TO 5/-. - London: Sacred Music Warehouse. J. Alfred Novello, ... 69. Dean Strt. Soho & 24 Poultry. [1852]. [iii] (INDEX.), 1-223p. Partbook (1-8p, 1-7p, 1-6p, 1-6p, 1-1-5p, 2-9p, 1-9p, 1-5p, [2p]) GrandStudies(Novello) 1852 223p + St
49. [anon.; Mendelssohn Baltholdy, Felix] (eds.)John Sebastian Bach's GRAND STUDIES for the ORGAN, with PEDAL OBLIGATO, consisting of Preludes, Fugues, Toccatas, and Fantasias. FOR THE DOUBLE BASS or VIOLONCELLO, IS PRINTED SEPARATELY, Price 7/-. These Studies may be played on the Piano Forte by one or two performers. EACH PRELUDE & FUGUE MAY BE HAD SEPARATELY AT PRICES VARYING FROM 1/- TO 5/-. - London: Sacred Music Warehouse. Novello, Ewer & Co., ... 1, Berners Street, W. & 35, Poultry, E.C. [c.1867] [iii] (Index), 1-223p. [BWV 569, 566, 539, 542/1, 550, 532, 533, 542/2, 565, 543, 544, 545, 546, 547, 548, 540, 538, 552/2, 541] [rebadged edition previously issued by J. Alfred Novello with some editorial adjustments including analytical symbols invented by Samuel Wesley] GrandStudies(Novello-Ewer) c 1867 223p
50. Anthonicek, Theophil; Flotzinger, Rudolf; Wessely, Othmar (eds.)De ratione in musica. Festschrift Erich Schenk zum 5. Mai 1972. [zum 70. Geburtstag] Kassel [u.a.]: Bärenreiter, 1975. xiii, 300p. ISBN: 3-7618-0420-2. [fs]Schenk70 1975 xiii, 300p
51. Anthony, John PhilipThe Organ Works of Johann Christian Kittel. 2 vols. PhD diss., Yale University, 1978. 636p. diss. 1978 636p
52. Anthony, MichaelMinnesota Opera: PDQ Bach Premiere. Opera Everywhere. HiFiMAmer 34 8 Aug 1984 23f
53. Aoyama, ShiroMisa - Reihaishiki ni tsuite. [On Missa / Liturgy] Sosetsu - Taiyaku: Akademie Conert de no 'Sho-Misakyoku' no Rikai no tame ni 2 [General Commentary / Translation: for the understanding of 'Missa brevis' at the Academy Concert 2] BachAkadJapan 1984 90-94
54. Apps, Howard LlewellynBach and the violin. Strad 72 858 Oct 1961 209-213
55. Arewa, Olufunmilayo B.From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context. Repr. in Ethnomusicology eJournal 100 (2017). NorthCarolinaLawReview 84 2 2006 547-645
56. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (1). [Problems of Interpretation of Bach's Keyboard Works] DoshishaJDGK 23 3 1972 610-630
57. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (2): tempo. [Problems of Interpretation of Bach's Keyboard Works (2): Tempo.] DoshishaJDGK 24 3 1973 384-392
58. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (3): Soshokuon. [Problems of Interpretation of Bach's Keyboard Works (3): ornamentation.] DoshishaJDGK 25 3 1974 435-462
59. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (4): rhythm [Problems of Interpretation of Bach's Keyboard Works (4): rhythm.] DoshishaJDGK 26 3 1975 284-310
60. Ariga, NoyuriBach no Ongaku ni okeru Shochosei. [Symbolism in J. S. Bach's Music] DoshishaJDGK 27 3 1976 219-247
61. Ariga, NoyuriFriedemann Bach no tame no Clavier Shokyokushu. [Clavierbüchlein for W. F.Bach] DoshishaJDGK 19 1968 151-196
62. Ariga, NoyuriJ. S. Bach France jokyoku ni kansuru ichikosatsu. [An observation on Bach's French Overture] DoshishaJDGK 18 1967 314-329
63. Ariga, NoyuriMattheson no Chosei Byosha, Bach no Clavier Sakuhin to no Kanren. [Mattheson's Tonartencharakteristiken with Special Refernce to Bach's Keyboard Works] DoshishaJDGK 20 1969 19-42
64. Arita, Yoshiko; Goto, TaekoNanki Ongaku Bunko. [articles by Yoshiko Arita and Taeko Goto] Ed. Kunitachi Ongaku Daigaku Fuzoku Toshokan. - Kunitachi Ongaku Daigaku Fuzoku Toshokan, 1978. 1978
65. Arlin, Mary I. (ed.)Esquisse de l'histoire de l'harmonie: an english-language translation of the François-Joseph Fétis history of harmony transl., ann., ed. and with an introduction by Mary I. Arlin. - Stuyvesant NY: Pendragon Press., 1994. xliv, 203p. ISBN: 0-945193-51-3. (= Harmonologia series, 7) HarmonolSer 7 1994 xliv, 203p
66. Arnold, Frank Thomas; Schreyer, Johannes[Über die Echtheit von Bachs Generalbaßlehre] Mitteilungen. [Arnold p.153-155; Scheyer p.155-156; Arnold p.156-160; Schreyer p.160-162] BachJb 6 1909 153-162
67. Arroyas, FrédériqueLiterary mediations of Baroque music: Biber, Bach, and Nancy Huston. WordMStud 9 2008 93-114
68. Arsenault, Valerie PrebysA Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. diss. 2001 92p
69. Asayama, NatsukoMittsu no 'Denkumäler' ni miru Doitsu Ongakushi. [A view of German music history in three Denkmäler] Ongakugaku 53 2 Mar 2008 93-107
70. Asayama, NatsukoRidel Gasshodan no 'Rekishi Ensokai' ni okeru 'Shin-Doitsu-ha'. [The 'New German school' in 'historical concerts' of the Riedel choral society] OkinawaKenritsuGeijutsuDaigakuKiyo 18 2010 147-162
71. Ashby, A. B.Schweitzer on Bach. MLetters 26 2 Apr 1945 102-112
72. Ashby, A. B. (ed.)The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection [Edited] by A. B. Ashby. - London: Oxford University Press, c1937. 57p. 1937 57p
73. Ashley, TimThe butcher of Bach. Why has this man taken the St Matthew Passion and thrown half of it away? http://www.guardian.co.uk/arts/fridayreview/story/0,12102,1399764,00.html#article_continue Guardian 28 Jan 2005
74. Asselin, Pierre-YuvesMusique et Tempérament. Théorie et pratique de l'accord ŕ l'ancienne. Préface de Marie Claire Alain. - Paris: Editions Costallat, 1984. 235p. ISBN: 2-905335-00-9. 1984 235p
75. Atkins, Ivor; Emery, Walter (eds.)Orgelbüchlein (Little organ book) Edited by Ivor Atkins ; with an introduction by Ernest Newman ; revised by Walter Emery. - London: Novello, c.1957. xii,123p. Pl.-Nr.: 13884. (= Organ works of J.S. Bach, Book 15) [BWV 599-644] OrgWorks(Novello) 15 [rev] c 1957 xii, 123p
76. Audsley, George AshdownThe art of organ-building: a comprehensive historical, theoretical and practical treatise on the tonal appointment and mechanical construction of concert-room, church and chamber organs, profusely illustrated. 2 vols. New York: Dodd; London: Th. Vincent Music Company, 1905. [viii], 600p; [viii], 760p. - repr. New York: Dover, 1965. ISBN: 0486213153 1905 600, 760p
77. Auer, Leopold; Senoo, Koyo (eds.)Sicilienne / Bach Sakkyoku. Transcrite pour Violon avec Piano par Leopold Auer. [Ed. with commentary by Koyo Senoo] - Tokyo: Senow Ongaku Shuppansha, 1923 (Taisho 12). 4p (score) + 1 St. Best.-Nr.: Senow, No. 596. (= Senow Violin Gakufu) [BWV 1020/2 (= H. 542.5/2)] 1923 4p + 1 St
78. Autry, Philip24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. Clavier 37 8 Oct 1998 13-15, 17-18, 20
79. Avenary, HanochFormal Structure of Psalms and Canticles in early Jewish and Christian Chant. MusicaDisciplina 7 1953 1-58
80. A West Country OrganistSebastian Bach. Original correspondence. (To the editor of the Musical World.) [Suggestions for the centenary of the composer's death (Devonshire, March 27, 1850)]. MWorld 25 13 30 Mar 1850 199
81. Ayars, Christine; Ayars, MerrickContributions to the art of music in America by the music industries of Boston 1640-1936. New York, 1937. - New York: Johnson Reprint, 1969. 342 p 1937 342p
82. [Ayrton, William] (ed.)Sacred minstrelsy: a collection of sacred music by the great masters of all ages and nations; consisting of anthems, solos, duets, trios, &c., and choruses; with accompaniments for the piano-forte or organ. [vocal score] 2 vols. - London: John William Parker, 1834-1835. 210, 216p. [contains 'Choral, From Sebastian Bach's Passion-Music.', BWV 244/17; 'Quartet,-'Crucifixus.' from a MS. Mass, by John Sebastian Bach.' BWV 232II/5 (vol.2, pp.90-92] 1834-35 210, 216p
83. [Ayrton, William] (ed.)The musical library. Vol. II. Instrumental. [edited by William Ayrton]. - London: Charles Knight, 1835. 164p. ['Introduction and Fugue, J. Sebastian Bach', BWV 876 on p.162-4. Monthly Supplement, No. XIX. October, 1835, p.122, gives further explanation] 1835 164p
84. Bach, Anna Magdalena [Meynell, Esther]Bach no Omoide. [Recollection of Bach] Trans. by Hajime Yamashita. Tokyo: David, 1967. - R/1972. 222p. - Tokyo: Kodansha, 1997. 294p. ISBN: 4061592971. 1967 222p
85. Bach, Anna Magdalena [Meynell, Esther]Bach no Omoide (Sho). [Recollection of Bach] extracted and translated from Die kleine Chronik der Anna Magdalena Bach. BessatsuTaiyo 1984 68-69
86. Bach, Anna Magdalena [Meynell, Esther]Otto Sebastian Bach no Kaiso. [Recollection of my husband Sebastian Bach] Trans. by Ryutaro Hattori. Tokyo: Kadokawa shoten, 1952, 240p. 1952 240p
87. Bach, Anna Magdalena [Meynell, Esther]Sebastian Bach Kaisoki. [Recollection of Sebastian Bach] Trans. by Ryutaro Hattori. Tokyo: Shunyodo, 1936, 268p; Tokyo: Kofukan, 1941. 268p. 1936 268p
88. Bach, Carl Philipp Emanuel; Agricola, Johann Friecrich; Mizler, Lorenz; Venzky, Georg'Nekrolog' di Johann Sebastian Bach e cantata funebre. [ce]MusicaPoetica 1986 227-240
89. Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph; Emery, WalterNekrolog or Obituary Notice of Johann Sebastian Bach. [by Carl Philipp Emanuel Bach, Johann Friedrich Agricola, Lorenz Christoph Mizler] Translated with an Introduction, Notes and Two Appendices [by] Walter Emery. 1942. - Facs. reproduction of Emery's handwritten manuscript. London: Travis and Emery Music Bookshop, 2009. xx, 231p. ISBN: 978-1-906857-79-0; 978-1-906857-80-6. 2009 xx, 231p
90. Bacyk, Andrzej HenrykZ problematyki transkripcji - Transkrypcja w muzyce: Transkrypcja w twórczosci Jana Sebastiana Bacha. Poznan: Akademia Muzyczna im. I.J. Paderewskiego, 1993, S. 7-37. (Zeszyty Naukowe IV) ZeszytyNaukowe(Poznan) 4 1993 7-37
91. Bae, Jin YoungKarg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. DMA diss., University of Washington, 2004. v, 101p. diss. 2004 v, 101p
92. Bag, Cho-yeonJ.S. Baheu yi syakon bunseog, haeseog, yeonju ga'ideu. [An analysis, interpretation, and performance guide of J. S. Bach's Chaconne, BWV 1004/5] NangmanQ 19 2 Spring 2007 49-76
93. Bailey, KathrynThe Art of Fugue: A new Explanation. StudM(WesternOntario) 1 1976 31-42
94. Bailey, Louis LeeThe Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. DMA diss., Musicology, Southern Baptist Theological Seminary, 1976. 110p diss. 1976 110p
95. Bailey, RobertSacred and profane. OperaNews 66 6 Dec 2001 16-20
96. Baker, Harry Edgar (arr.)The peasant cantata / J. S. Bach. English version by J. Michael Diack, arranged for soli and chorus by Harry Edgar Baker. ('In the original version, ... only two voices are used, the opening and final numbers being duets. [This] new version has been arranged for two soloists and chorus': p. [3].) [Vocal Score] - Glasgow and London: Paterson's Publications, c1923. 59p. Pl.-Nr.: P. C. [BWV 212] 1923 59p
97. Baker, Harry Edgar (arr.)The peasant cantata / J. S. Bach. English version by J. Michael Diack, arranged for soli and chorus by Harry Edgar Baker. [School Version (pianoforte)] - Glasgow and London: Paterson's Publications, c1923. 44p. Pl.-Nr.: P. C. [BWV 212] 1923 44p
98. Balme, Christopher; Liptay, Fabienne; Drewes, Miriam (eds.)Die Passion des Künstlers: Kreativität und Krise im Film. hrsg. von Christopher Balme, Fabienne Liptay und Miriam Drewes. - München: ed. text + kritik, 2011. 312p. ISBN: 978-3-86916-089-4. [ce]PassionDesKünstlers 2011 312p
99. Bangert, Daniel; Fabian, Dorottya; Schubert, EmeryDoing without thinking? Aspects of musical decision-making revisited. [cr]Vienna2013 2013 201
100. Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, DanielPerforming solo Bach: a case study of musical decision-making. MScientiae 18 1 Mar 2014 35-52
101. Barclay Squire, W.Bach Society, The. GroveDictionary(2) 1 1904 159-160
102. Barjansky, Alexandre (arr.)Praise be to Thee, O Jesus Christ = Gelobet seist du, Jesu Christ: Chorale-Prelude / J. S. Bach. Adapted (for Violoncello and Piano) by A. Barjansky. [score and part] - New York: G. Schirmer, 1937. 3p + St (1p). [BWV 722] 1937 3p + St
103. Barnett, Gregory; D'Ovidio, Antonella; La Via, Stefano (eds.)Arcangelo Corelli fra mito e realtŕ storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita atti del Congresso internazionale di studi, Fusignano, 11-14 settembre 2003, coord. by Gregory Barnett, Stefano la Via, Antonella de Ovidio, 2 vols. - Firenze, Italy: Leo S. Olschki, 2007, xxiv, 707p. ISBN: 88-222-5697-2; 978-88-222-5697-3. HistMCultores 111 2007 xxiv, 707p
104. Barokku Ongaku Kenkyukai (The Society for the Study of Baroque Music in Japan)Kyokai Kantata no Seiritsu to Tenkai -- Barokku Ongaku no Shoso. Studies of Baroque Music through Church Cantatas in Germany. [Origin and Development of Church Cantatas--aspects of Baroque Music.] - Tokyo: Academia Music, 1995. ix, 404p. ISBN-10: 487017063-9; ISBN-13: 978-487017063-6. 1995 404p
105. Barolsky, Daniel; Martens, PeterRendering the Prosaic Persuasive: Gould and the Performance of Bach's C-minor Prelude (WTC I) http://mtosmt.org/issues/mto.12.18.1/mto.12.18.1.barolsky_martens.pdf MTheoryOnline 18 1 Apr 2012 8p
106. Barry, BarbaraHeavenly Harmony and the Tradition of Medieval Number Theory. Consort 36 1980 361-364
107. Barry, Barbara R.Variation Technique in Bach's D Minor Chaconne. [BWV 1004/5] Proteus 2 1 1985 19-24
108. Barry, Charles Ainslie (ed.)Three Songs from Anna-Magdalena Bach's Music-book. Edited, with a pianoforte accompaniment, by C. A. Barry. - London: Novello, 1894. [1. Gedenke doch, mein Geist, zurücke ... 2. Bist du bei mir ... 3. Erbauliche Gedanken eines Tabaksrauchers] 1894
109. Barry, Charles AinslieWagner on Bach. [Polyphony] MWorld 69 10 9 Mar 1889 149-150
110. Bartels, Ulrich; Wollny, Peter (eds.)Freie Orgelwerke und Choralpartiten aus unterschiedlicher Überlieferung / Johann Sebastian Bach. Freie Orgelwerke (BWV 131a (Anh. II), 545b (Anh. II), 561, 571, 577, 591, 598, Anh. 205, Anh. 42, Anh. 90, Anh. 97) und Choralpartiten (BWV 758, Anh. 77, Anh. 78) aus unterschiedlicher Überlieferung. Hrsg. von Ulrich Bartels (freie Orgelwerke) und Peter Wollny (Choralpartiten). - Kassel [u.a.]: Bärenreiter, 2003. xiii, 84p. Ed.-Nr.: BA 5100. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie IV: Orgelwerke. Band 11) NBA 4 11 2003 xiii, 84p
111. Bartels, Ulrich; Wollny, PeterJohann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie IV · Band 11. Freie Orgelwerke und Choralpartiten aus unterschiedlicher Überlieferung. Kritischer Bericht. Mit Berichten über ehemals Johann Sebastian Bach zugeschriebene Werke. Kassel [u.a.]: Bärenreiter, 2004. 248p. [Ed.-Nr.: BA 5100-41] NBA 4 11 2004 248p
112. Bar-Yoshafat, YonatanKenner und Liebhaber: Yet another look. IReviewAesthSociolM 44 1 Jun 2013 19-47
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179. Besly, Maurice (arr.)Dearest Jesu, we are here / J.S. Bach. Transcribed for the piano by Maurice Besly. - London: Boosey & Co, c1928. 3p. Pl.-Nr.: H. 12522. [BWV 706] 1928 3p
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220. Bishop, Henry R. (arr.)Twelve corales: composed and harmonized by Martin Luther, Schop, Eccard, Graun, Osiander, Homilious and Sebastian Bach, As sung at the Concerts of Ancient Music,: for which (with words expressly written to them) they were Adapted and Arranged By Henry R. Bishop. Conductor of the above Concerts Published by permission of the...Directors [of the Concerts of Ancient Music] ; Dedicated by Premission to His Royal Highness The Prince Albert. (top of page) - London: C. Lonsdale, [1844]. 64p. Pl.-Nr.: 458. Price: 15 shillings. [Wake, O wake! a voice is crying (BWV 140/7) -- O, let us praise the Lord -- Lord! how gracious are thy ways! -- Once more to praise Thee, gracious God -- Hear, O Lord, thy people's prayer -- God is our refuge in distress - O Lord, thy glory we behold -- He made the sun to rule the day -- Behold, how glorious is yon sky! -- Lord! whose mercies beam o'er all -- O, let us magnify the Lord! -- Behold, once more the setting sun.] 1844 64p
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232. Bodky, ErwinDas Cembalo-Clavichord-Problem. DieMusik 24 2 Nov 1931 97-101 Bd.75
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235. Bodky, ErwinHat das Klavier in der Hausmusik noch eine Zukunft? DieMusik 24 8 May 1932 569-575
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245. Boldt, Kenwyn GuyThe solo clavier Sonatas attributed to J. S. Bach. DM, piano. Indiana University 1967. 32p. diss. 1967 32p
246. Borchard, Beatrix; Back, Regina; Treydte, Elisabeth; Wenzel, Silke (eds.)Musik(vermittlung) und Gender(forschung) im Internet: Perspektiven einer anderen Musikgeschichtsschreibung. Hrsg. von Beatrix Borchard, Regina Back und Elisabeth Treydte unter redaktioneller Mitarbeit von Silke Wenzel. - Hildesheim, Zürich, New York: Georg Olms Verlag, 2016. vi, 256p. ISBN 978-3-487-15405-3. (= Studien und Materialien zur Musikwissenschaft, 92) StMaterMw 92 2016 vi, 256p
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250. Borkowsky, ErnstJohann Sebastian Bach. Jena: Diederichs, 1939. 77p. (= Deutsche Reihe, 88) DReihe 88 1939 77p
251. Borovsky, Alexander (arr.)Jesu, joy of man's desiring: chorale from cantata no. 147 / J. S. Bach. Arranged for piano solo by Alexander Borovsky. - Kobenhavn: Hansen, c1958. 5p. Best.-Nr.: Wilhelm Hansen Ed. 4034. Pl.-Nr. 27655. [BWV 147/10] 1958 5p
252. Borowsky, A.Ornamentations in the music of Bach. Diapason 53 5:629 Apr 1962 8f
253. Borthwick, Mary Christine'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. PhD diss., Durham University, 2007. x, 527p + ill. diss. 2007 x, 527p
254. Borysenko, ElenaThe Cantatas of Wilhelm Friedemann Bach. AmerChoralReview 33 1-2 Winter-Spring 1991 33-39
255. Borysenko, ElenaThe Cantatas of Wilhelm Friedemann Bach. PhD diss., Musicology, Eastman School of Music, University of Rochester, 1981. 2v 889p diss. 1981 889p
256. Bossuyt, IgnaceDe dood in cantates van J.S. Bach: Van Actus Tragicus tot Trauer-Ode. [Death in the cantatas of Bach: From actus tragicus to Trauer-Ode] - Leuven: Leuven University Press, 2015. 144p. ISBN: 978-94-6270-010-9; 978-94-6166-169-2. [BWV 106, 198] 2015 144p
257. Bossuyt, IgnaceDe Goldbergvariaties van J. S. Bach. Leuven: Universitaire Pers Leuven, 2011. 80p. ISBN-13: 978-9058678614. 2011 80p
258. Bossuyt, IgnaceDe Missae breves (BWV 233-236) van Johann Sebastian Bach. Peer: Alamire, 2000. 90p text, 60p mus. exx. ISBN: 90-6853-145-X. 2000 150p
259. Bossuyt, IgnaceHet Weihnachts-Oratorium (BWV 248) van Johann Sebastian Bach. Leuven: Universitaire Pers Leuven, 2002. 179p with a separate booklet for mus. exx. ISBN: 90-5847-242-5. (= Ancorae, 17) [BWV 248] 2002 179p, mus exx
260. Bossuyt, IgnaceJohann Sebastian Bach: Christmas Oratorio. BWV 248. Translated (from Dutch) by Stratton Bull. Leuven University Press, 2004. 185p. ISBN: 90-5867-421-5. (= Ancorae, 19) 2004 185p
261. Bossuyt, IgnaceJ.S. Bach. De h-Moll-Messe. Leuven: Universitaire Pers Leuven, 2017. 204p. ISBN 978-94-6270-095-6; 94-6270-095-8. 2017 204p
262. Bossuyt, IgnaceVan jaloezie tot waanzin: Georg Friedrich Händel—Hercules (1745). [From jealousy to madness: Georg Friedrich Händel—Hercules (1745)] [BWV 213] [fs]Bossuyt 2008 80-95
263. Bostrom, Kerry L.The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude. Bach 17 3 Jul 1986 22-32
264. Boult, Adrian Cedric; Emery, WalterThe St Matthew Passion: Its preparation and performance. London: Novello, 1949, vii, 75p. 1949 vii, 75p
265. Boursy, RichardHistoricism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. PhD diss., Yale U., 1994. 412p. UMI No. DA9522719. diss. 1994 412p
266. Bouyer, R.La vogue de Bach depuis la découverte de sa puissance expressive. [Petites notes sans portée (CXLI)]. LMenestrel 74 51 1908
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268. Bowen, York (arr.)Toccata and Fugue in D minor / Johann Sebastian Bach Transcribed for two pianofortes by York Bowen. - London: Elkin & Co, [1947] 19, 19p. Pl.-Nr.: E. & Co. 2103. (= The Elkin Two Piano & Piano Duet Series. Edited by John Tobin and Tilly Connely) [BWV 565] 1947 19, 19p
269. Bowlby, Timothy J.The influence of Bach's Well-tempered clavier on the opp. 34 and 87 piano pieces of Dmitri Shostakovich. http://www.ex-tempore.org/BOWLBY00/BOWLBY00.htm ExTempore 10 1 Summer 2000 118-140
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271. Boyd, Charles N.; Riemenschneider, Albert (eds.)Chorales by Johann Sebastian Bach. Selected and edited by Charles N. Boyd and Albert Riemenschneider. Bk.1. Chorales 1-91 -- Bk.2. Chorales 92-120. - New York: G. Schirmer. c1939 (vol.1), c1941 (vol.2). x, 76p; x, 76p. Pl.-Nr.: Bk. I: 37623, Bk. II: 39259. Best.-Nr.: Ed. 1628. 1939-41 x, 76p; x, 76p
272. Boydell, BarraBach comes to Dublin: the performance and reception of Bach's music in Dublin in the 19th and early 20th centuries. A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000. [p]BCB_Dublin Jul 2000
273. Boydell, Barra'This most crabbed of all earthly music': the Performance and Reception of Bach's Vocal Music in Dublin in the 19th and early 20th Centuries. A paper read at Music in 19th-Century Britain Conference held in July 2001 at the Royal College of Music, London. [p]M19CBritain_London Jul 2001
274. Boydell, Barra'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. IrishMStud 8 2004 229-246
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276. Boyden, David D.Die Geschichte des Violinspiels von seinen Anfängen bis 1761. Trans. by Hanna Gál and Günter Kehr. Mainz: Schott, 1971. xxiii, 630, 40p. - Chapter XIX is also published in: Rudolf Gähler: Der Rundbogen für die Violine - ein Phänomen? Regensburg: ConBrio Verlagsgesellschaft, 1997, p. 46-60. (= ConBrio Fachbuch, 5) 1971 xxiii, 630, 40p
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278. Boyden, David D.The Violin and Its Technique in the 18th Century. MQ 36 1 Jan 1950 9-38
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281. Boyden, David DodgeThe History of Violin Playing from its Origins to 1761 - and its Relationship to the Violin and Violin Music. London: Oxford Univ. Press, 1965. 570p - 3rd rev. edn. 1975. xxiii, 569p, [40]p of plates. ISBN: 0193163152. 1965 570p
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283. Boyd, MalcolmBach. London: J. M. Dent & Sons, 1983. xiv, 290p. - New York: Vintage, 1987. 2nd edition, Oxford Univ. Press, 1990. xiv, 290p - 3rd edition, Oxford Univ. Press, 2000. xvi, 312p. (= Master Musicians Series) 1983 290p
284. Boyd, MalcolmBach. Prólogo de Jacinto Torres. Barcelona: Salvat, 1984, 222p; R/1985, 1987, 1988. ISBN: 84-345-8200-7. (= Colección Biblioteca Salvat de Grandes Biografías nş55) 1984 222p
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286. Boyd, MalcolmBach: Chorale Harmonization and Instrumental Counterpoint. London: Kahn & Averill Pub, 1999. 39p. ISBN: 1-871082-72-2. 1999 39p
287. Boyd, MalcolmBach's Instrumental Counterpoint. London: Barrie and Rockliff, 1967. 39p. - London: Barrie and Jenkins; Longwood Pub.Group. 1977, 39p. ISBN: 0-214-65961-5. 1967 39p
288. Boyd, MalcolmBach, Telemann und das Fanfarenthema. Kleine Beiträge. BachJb 82 1996 147-150
289. Boyd, MalcolmBach: The Brandenburg Concertos. Cambridge Univ. Press, 1993, x, 111p. 1993 x, 111p
290. Boyd, MalcolmBaroque Oratorio: a terminological inexactitude? MTimes 119 1624 Jun 1978 507-508
291. Boyd, MalcolmHarmonizing 'Bach' Chorales. London: Barrie and Rockliff 1967. 39p 1967 39p
292. Boyd, MalcolmJohann Sebastian Bach. Leben und Werk. Stuttgart: Deutsche Verlags-Anstalt 1984. 376p [1. u. 2. Aufl.]; 3. Aufl. 1985. Vorwort von Dietrich Fischer-Dieskau. Aus dem Englischen von Konrad Küster. München: dtv; Kassel: Bärenreiter, 1992. 378p; Stuttgart: Deutsche Verlagsanstalt, 2000. 1984 376p
293. Boyd, Malcolm (ed.)Oxford Composer Companions: J. S. Bach. Oxford Univ. Press, 1999. xxv, 626p. ISBN: 0-19-866208-4. 1999 xxv, 626p
294. Boyd, MalcolmSacred Bach, echt and unecht. Recording Reviews. [B-minor Mass by Harry Christopher and The Sixteen Choir and Orchestra (Collins Classics 70322, 1994); The Apocryphal Bach Motets BWV Anh. 159-165 by Alsfelder Vokal Ensemble; Wolfgang Helbich; Cantatas by Nancy Argenta; Ensemble Sonnerie; Monica Huggett.] EarlyM 23 2 May 1995 338
295. Boyd, MalcolmThe Bach Family. [ce]CambridgeCompanion_Bach 1997 9-16
296. Boyd, MalcolmThe Italian Serenata and related genres in Britain and Germany: Some observations. SopplimentiM 1 4 2001 515-527
297. Boyd, MeganThe St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. MA diss., School of Music, Queen's University Belfast, 2007. ii, 147p diss. 2007 ii, 147p
298. Boyd, WilliamHistory of Western Education. London: A. & C. Black, 1921. 2p. l, vii-xi, 443p. 2/1928, xi, 452p. 3/1932, xi, 452p. 4/1947, xi, 428p. 5/1950 (enlarged) 473p. 6/1952, xi, 473p. 7th ed / rev. and enl. by Edmund J. King. London: A. & C. Black, 1964 xii, 489p. 8/1966, 10/1972, xii, 515p. 11/1975, xii, 517p. 12th edn. Totowa, N.J: Barnes & Noble Books, 1995. 516p. 1921 443p
299. Boyer, HenriLes cantates sacrées de Jean-Sébastien Bach. Paris [u.a.]: L'Harmattan, c.2002. 388p. ISBN: 2-7475-2834-0. (= Collection Univers musical) UniversM c 2002 388p
300. Boyer, HenriLes mélodies de chorals dans les cantates de Jean-Sébastien Bach. Paris: L'Harmattan, 2003. 441p. ISBN: 2-7475-5183-0; 978-2-7475-5183-0. (= Collection Univers musical) UniversM 2003 441p
301. Boykan, MartinThe power of every moment: Musical continuity in J.S. Bach. [BWV 1005/3] HarmonolSer 16 2011 93-104
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